A MIDSUMMER NIGHT'S DREAM, opera a cappella now available at Albany Records

Saturday, March 3, 2018

Musical/Opera... Do I care? No!

The headline publicizing an upcoming production of SpDT! at Kansas State in the Salina post says:

Is it an opera? A musical? Personally I don't care as long as it's out there getting performed.

Friday, February 16, 2018


For my second opera  at Savannah Voice  Festival, Maria Zouves asked if I might try to incorporate  a fugue  into the finale. This is a video from the premiere at the historic Davenport House Museum. The subject is "Sometimes  you need a little knock on the head to move forward." There are  playful  references to Beethoven and to my previous opera for SVF,  ALICE RYLEY. The two  operas will  eventually be done together, so it makes sense to bring the first opera back around.

Friday, February 9, 2018

New project

This is a demo for a new project, a one act opera about Grant Wood for the Cedar Rapids Opera Theatre. Wood's study of Northern Renaissance art changed his style to the one we recognize today.

spoken: Munich, 1928. While working on my stained glass window for the Veterans Memorial in Cedar Rapids, I continue my study of Northern Renaissance art. One of the paintings I find most striking is Van Eyck’s “The Arnolfini Wedding.”
sung: Endlessly fascinating
Brilliantly detailed
I can look for hours and still miss things
The oranges, the chandelier.
The bed, the mirror, the dog, the shoes,
The state of the woman. Spoken Is she pregnant?
Sung: The hand of her husband 

imitating the gesture, spoken What’s it mean?
Sung: It’s a riddle hidden in plain sight.
What do they symbolize, what do they mean?
And how brazen to sign your name right there

In the center of the painting
Spoken: “Jan van Eyck was here, 1434.”
Sung: Cryptic, inscrutable

Manifold glories
Like revelations,
Stories within stories
Like revelations,
Stories within stories.
Stories within stories….
Stories within stories…
Stories within stories…
Ah! Stories within stories within stories...
Then it is almost as if the painting pushes him away.  And rather than being hurt by that, he understands.
It draws you in all the more
It draws you in all the more.
All that time in Paris
But I never found you there.
Very briefly, American Gothic is superimposed on it. Blackout

Tuesday, January 9, 2018

And Beyond

A totally puzzling exercise in product naming in my hotel room...