A MIDSUMMER NIGHT'S DREAM, opera a cappella now available at Albany Records

Sunday, October 23, 2016

Letter about style from Iain Hamilton, 1978

As I mentioned in an earlier post, I'm trying to clear out my archives. Scan it, digitize it if it's interesting, and usually throw it out. Every now and then something pops up that is worth looking at, listening to, and cherishing.

I found a letter from 1978 from my first composition teacher at Duke, Iain Hamilton. He had resigned his position to focus on composition. Until Duke figured out what to do about a composition teacher (eventually they hired Robert Ward, for which I am eternally grateful),  I went over to take composition at the North Carolina School for the Arts and one of the teachers there I found nettlesome because of his modernistic, atonal approach to composition. Back in those days, writing in that style was more de rigeur than it is now, thank goodness. I love rereading his words:

"Indeed never allow any style to be forced on you. We must attend to technical skills especially those of the great periods of counterpoint in the 16th and 18th centuries but those essential disciplines are something different from being channeled into a particular style in our own time--that is something we must discover for ourselves and I have often said whatever one writes it will be new and fresh if one has originality within oneself."

In opera, I've always found style to be a situational device, to be influenced by the story line and characters. Shows like SPEED DATING TONIGHT! deliberately juxtapose a variety of styles to match the variety of daters. Other operas like my recent ALICE RYLEY, CORPS OF DISCOVERY, or SLAYING THE DRAGON deal with cultural clashes that are depicted through musical styles.

Dr. Hamilton was a shy, formal man with a twinkle of humor. I always remember him letting me into his office for a lesson and then scurrying behind his desk to look at my weekly scribblings. A catchphrase I remember was "There's nothing you can't learn from ____" (Mahler, Bach, Mozart). His operatic work was not done all over the US, but there was a production of his ANNA KARENINA at the Los Angeles Opera. Here's the last page from the piano vocal score in his tight, efficient calligraphy.

Monday, October 17, 2016

Albuquerque Speed Dating Tonight!

Shea Perry and Ian Johnson star in “Speed Dating Tonight!” (Courtesy of Mary Brzezinski)
(Courtesy of Mary Brzezinski)

Here's a nice article in the Albuquerque Journal about the upcoming production of SPEED DATING TONIGHT! at the University of New Mexico. It refers to SDT! as "wildly popular." I guess it is. The actual information is forty two productions since the 2013 premiere, with eighteen this season.

Saturday, October 8, 2016

Radio Interview about SPEED DATING TONIGHT!

Here's a link to a radio interview about the University of New Mexico's upcoming production of SPEED DATING TONIGHT! I love that they call it "high stakes musical chairs."

Wednesday, October 5, 2016


Nice picture from the group that's doing SPEED DATING TONIGHT! at Georgia Southern University October 21 and 22. More info here.

Saturday, October 1, 2016

Marriage of Figaro at Amarillo Opera

Time for a little Mozart at Amarillo Opera. Photo is by Susanna, Madison Leonard and is from Amarillo's Cadillac Ranch, not to be confused with the Mustang Ranch. It is nice to see Darren K. Stokes again who is singing Figaro.