Michael Ching's blog, pondering music, opera, and where and how it fits in, particularly in the regions. Lots of helpful links down the righthand side.
Friday, September 4, 2009
Exploring the countertenor 1
Countertenor, Nicholas Tamagna, is making his debut at Opera Memphis as Orfeo in our January 2010 production of ORPHEUS AND EURYDICE. (I'm not incredibly happy about the audio quality recorded over the phone, so I' ve got some short clips.) One of the questions I asked him is "What is the difference between falsetto and head voice?"
Tamagna has a powerful sound--not a wimpy one. I felt this was important for the Memphis audience's first experience with a countertenor. It turns out that Tamagna trained as a high baritone and he thinks that helped fill out his sound.
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